Play Along Piano

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chorale

Daily Compositions 1-9 with Corrections

StephenM

4:19	Est. Play Time
83	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		24	0	12	8	78%
		30	0	8	6	78%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ		24	0	12	8	78%
		30	0	8	6	78%
Harpsichord		22	0	4	7	36%
		21	0	6	5	36%
Violin		17	0	5	3	20%
Violoncello		20	0	4	4	20%
Men		14	0	1	3	18%
Women		15	0	1	3	18%

Brahms - Es ist ein 'Ros' entsprungen for Trombone Choir

MarshallTRogers

1:01	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Trombone		18	0	6	5	100%
Bass Trombone		15	0	1	5	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Trombone		18	0	6	5	100%
Bass Trombone		15	0	1	5	100%
Tenor Trombone I		16	0	4	4	100%
Tenor Trombone II		18	0	6	5	100%
Optional Tuba		14	0	2	4	77%

J.S. Bach: Wohl mir, daß ich Jesum habe (“Jesu, Joy of Man's Desiring”, BWV 147 #6)

BSG

3:40	Est. Play Time
71	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ		12	0	3	5	69%
		16	0	3	6	100%
		8	0	1	3	45%
Cello		16	0	3	5	100%
Violin		22	0	7	3	94%
		16	0	3	4	94%
Viola		13	0	2	5	94%
Alto		8	0	2	3	45%
Bass		14	0	1	3	45%
Soprano		7	0	1	5	45%
Tenor		8	0	1	3	45%

Daily Composition #2

StephenM

0:26	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	5	6	100%
T B		19	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		16	0	5	6	100%
T B		19	0	3	4	100%

Brahms - Es ist ein 'Ros' entsprungen in C Major for Low Brass Choir

MarshallTRogers

1:01	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone		18	0	6	5	100%
Tenor Trombone I		18	0	6	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass Trombone		18	0	6	5	100%
Tenor Trombone I		18	0	6	5	100%
Tenor Trombone II		16	0	4	4	100%
Tuba		15	0	1	5	100%

J.S. Bach: Chorale: Es woll uns Gott genädig sein (BWV 76, #7)

BSG

2:43	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin		17	0	4	6	100%
		16	0	6	4	100%
Realization		16	46	5	7	100%
Tromba		11	0	1	5	100%
Viola		18	0	6	6	100%
Continuo		25	0	8	4	92%
Violoncello		25	0	8	4	92%
Alto		14	0	4	5	81%
Bass		16	0	4	4	81%
Soprano		11	0	1	4	81%
Tenor		15	0	5	6	81%

Fount Chorale

Mdlou99

0:48	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet		18	3	3	5	100%
Baritone Horn		12	0	3	5	95%
View all 11 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Clarinet		18	3	3	5	100%
Baritone Horn		12	0	3	5	95%
Bass Clarinet		12	0	3	5	95%
Horn in F		10	2	2	5	91%
Flute		17	2	3	5	89%
Piccolo		11	0	2	5	86%
B♭ Trumpet		13	2	1	5	83%
Alto Saxophone		16	2	1	5	82%
Trombone		9	1	1	5	80%
B♭ Tuba		11	0	0	4	79%
Contrabass Clarinet		11	0	0	4	79%

Vater unser im Himmelreich - Mendelssohn

MauroC

0:40	Est. Play Time
21	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	48	8	5	100%
		19	30	3	5	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		24	48	8	5	100%
		19	30	3	5	95%

15. Allein zu dir, Herr Jesu Christ, J.S. Bach, BWV 261, Choral Gesänge, Breitkopf.

Gertim

1:25	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		20	0	7	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		20	0	7	5	100%

Three Exercises in Music Theory

Owlman142

3:00	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		13	1	2	8	67%
		17	8	1	4	65%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		13	1	2	8	67%
		17	8	1	4	65%
Soprano/Alto		15	0	4	6	36%
Tenor/Bass		16	0	3	4	36%
Brass		14	0	3	4	29%
		14	0	1	4	29%

Greensleeves SATB Arrangement

Cornelius Dybdahl

1:17	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	0	3	5	100%
		13	0	2	3	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	0	3	5	100%
		13	0	2	3	100%

Minor Chorale

Owlman142

0:30	Est. Play Time
10	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	4	6	100%
T B		16	0	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		15	0	4	6	100%
T B		16	0	3	4	100%

Chorale No. 1

Dillan Dorjahn

0:57	Est. Play Time
19	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	4	5	100%
		14	0	3	5	67%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	4	5	100%
		14	0	3	5	67%

49. Christus, der uns selig macht. BWV 245.15. Joh. Passion. J.S. Bach.

SDG

0:50	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		22	0	7	4	100%
Contrabass		16	0	6	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	4	100%
Tenor/Bass		22	0	7	4	100%
Contrabass		16	0	6	4	50%

190. Jesu, du mein liebstes Leben. BWV 356.

SDG

1:42	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		19	0	3	4	100%
Contrabass		15	0	3	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		19	0	3	4	100%
Contrabass		15	0	3	4	50%

264. Nun komm, der Heiden Heiland. BWV 36/8.

SDG

0:28	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	4	100%
Tenor/Bass		18	0	4	5	100%
Contrabass		11	0	2	3	53%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	3	4	100%
Tenor/Bass		18	0	4	5	100%
Contrabass		11	0	2	3	53%

122. Meine Seele erhebt den Herren (Lob und Preis sei Gott dem Vater und dem Sohn). BWV 10/7.

SDG

0:57	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		20	0	4	4	98%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		20	0	4	4	98%
Contrabass		14	0	1	3	48%
Violoncello		14	0	1	3	48%

111. Gib dich zufrieden und sei stille. BWV 315.

SDG

0:58	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		13	0	2	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		16	0	4	5	100%
Tenor/Bass		16	0	3	4	100%
Contrabass		13	0	2	4	50%

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